# Two words in grease pencil, written by two people

> TAIL OUT and CHECKED, written in grease pencil on blank leader by two people who never met, are the shortest handover note in the whole chain that gets a film shown.

August 21, 2026 · https://justog.club/stories/the-tail-leader-with-a-name-on-it

Blank white leader, sprocket holes down both edges. Across it, in a hurried grease-pencil hand
that runs straight over the frame lines: `TAIL OUT`. Underneath, smaller, in a second hand:
`CHECKED`.

Two people wrote on this strip, and neither of them ever met the other.

## What does `TAIL OUT` actually tell the next person?

Which way up the reel is, before they load it.

A reel wound tail out finishes where the picture starts — the last frame is on the outside of the
coil, the first frame buried at the centre. Loading it straight onto a projector without rewinding
first would run the film backwards from the end. Two words in grease pencil settle that question
before anybody has to guess, or find out mid-reel — the same question [a numbered can only answers
by its position in a set of six, not by anything written on the reel
itself](/stories/the-six-cans-it-arrived-in).

## Why does the writing overrun the frame lines?

Because leader exists to be written on, and the person writing on it was in a hurry.

Leader carries no picture — it's blank stock, spliced onto the reel specifically so there's
somewhere to mark instructions without touching a single frame that matters. The sloping,
overrunning hand isn't carelessness with the film; it's evidence the person writing it wasn't
being careful about the leader, because the leader is the one part of the reel that's allowed to
take the damage instead of the picture.

## Who is `CHECKED` addressed to?

The next pair of hands down the line, who has never met the first pair.

`CHECKED` isn't part of the technical instruction — `TAIL OUT` alone tells a projectionist
everything they need to load the reel correctly. `CHECKED`, in a second, different hand, is a
separate person recording that they already ran the reel across [a rewind bench and confirmed it
end to end](/stories/the-rewind-bench). It's a signature with no name attached, meant for
someone the writer will likely never be in the same room as.

## Why grease pencil rather than a printed label?

Because it wipes off, and a paper label doesn't survive handling the way the leader has to.

A reel gets rewound, checked and re-labelled every time it's used — the instruction has to change
each time the winding direction changes, and grease pencil can be removed and rewritten in seconds
with a cloth. A stuck-on paper label peels, tears and falls off exactly where a strip gets handled
most, which is precisely where the note needs to still be legible.

## Can a reel be labelled some other way?

Plenty of booths use other conventions — coloured tape, a stamped tag on the can, a chalked note on
the can lid rather than the leader itself. Grease pencil directly on the leader is one common
version, not the only correct one, and any of them does the same job if the next person reading it
knows the convention.

What none of them replace is the handover itself — one person's note, read and trusted by a second
person who wasn't there to see it written.

## Can I use this exact wording freely?

Yes. `TAIL OUT` and `CHECKED` are trade shorthand, not authored text — the same words a working
booth would write on any reel, describing a physical state rather than naming anything owned by
anyone. There's no title, studio mark or performer anywhere on the strip to license.

## Does it work as a print for someone who never worked in a booth?

It works as a note between any two people who hand something off without meeting — one shift to the
next, one caretaker to another, a task passed along a chain longer than either end of it realises.
The words can stay exactly as they are, or be swapped for whatever the reader's own handover
actually says. [The band on a wound reel carries the same kind of instruction, cut down to a
position in a sequence and nothing more](/stories/the-reel-band-and-the-tape) — this one
carries an instruction and a signature.

## Does it print well?

Yes, cleanly — grease pencil on pale stock is naturally high contrast, and the hand-lettering reads
well at any size as long as the overrun and the slight lean stay in.

Keep the two hands genuinely different in weight and angle from each other; if both lines look like
the same hand, the two-person reading of the design disappears. Bone, off-white or a worn cream
ground suits the leader itself, with the writing in a dark warm ink rather than pure black.

## How do I get one made?

Describe the leader at [JustOG](/) — what the first line reads, whether a second hand signs it, how
scuffed the strip should look. Pick a direction, drag the crop frame, see it composited on the real
garment, and it's made to order and shipped.

Designs other people have published are in the [shop](/shop).

Somewhere down the chain, a reel is loaded the right way round because of two words nobody signed.
